Circle X Louisville, Kentucky
Kentucky polyrhythmic post-punk that laid a blueprint for some of the noisiest bands you know.
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supported by 4 fans who also own “Beyond Standard”
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Music For Four Guitars
by Bill Orcutt
supported by 4 fans who also own “Beyond Standard”
I can't get through any new Bill Orcutt record without getting excited, but here he has gone one step further. Can we talk about invoking the spirit of counterpoint now?
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Offering - Live at Le Guess Who
by Nicole Mitchell and Moor Mother
supported by 4 fans who also own “Beyond Standard”
Intriguing, enchanting and terrifying all at once. To me it's the perfect soundtrack I'd envision for waking up in a strange nation and not knowing the name of the place, or any contextual understanding about the culture, or even remembering how you got there in the first place. It has the capacity to be a negative or positive experience in equal measure, a testament to the two talented women behind this record.
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Four new rowdy, impossibly catchy songs from this post-punk group who bridge rough-edged New Zealand-style pop with darker, steelier sounds.
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White Suns return with another album full of static, chaos, and noise.
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Indifferent Rivers Romance End
by Wreck and Reference
Wreck and Reference expand on their metal base to deliver a masterfully-wrought album of pain and desperation.
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supported by 4 fans who also own “Beyond Standard”
One of the albums of the year. For sure.
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